Landslide at Harbour Breton, 2000, colour drypoint and aquatint, 30 x 49.5 cm , edition of 25
Prints
There is a simplicity and purity to the drypoint line scratched directly into the printing plate. It also seems to me
that there is an appropriate connection between the bright hard light of the Canadian landscape and the stark white page
marked by furrows and drifts of ink that continues to hold my attention.
Prints
There is a simplicity and purity to the drypoint line scratched directly into the printing plate. It also seems to me that there is an appropriate connection between the bright hard light of the Canadian landscape and the stark white page marked by furrows and drifts of ink that continues to hold my attention.